Revisiting Wardrobe Architect, Part 3: A Capsule and A Spring Sewing Plan

Edit: After sleeping on it, I realized that I hadn’t shared my list of garments because I was embarrassed that others would think it greedy to want so many pieces of clothing. But hiding the list didn’t make it go away, and if I don’t share it here, I won’t have a record of what I was thinking and planning at this place in time. It will be interesting to look back in a season or a year and see what things remain on my must-sew list and what things were only passing fancies. So, I’m adding in my list where it should have gone in the first place. 

Each time I’ve tried to take a second run at defining a capsule wardrobe, I’ve ended up with a list far too long to reasonably be called a capsule. Even though I’m of the mind that my capsule isn’t about limiting myself to a set number of items for a season, but rather about building a foundation of remixable pieces that work throughout the year, once I start adding up all of the combinations of garments, materials, and colors/prints I’d like to have, the list quickly balloons.

Instead of fighting it, I’ve decided to embrace it and see where it takes me. I’ve made a list of all the garments I’d like to have in my closet, and broken it down according to items that will work best as casual pieces, items that will work best for special outings and the more polished work look I’d like to achieve, and items that will work equally well for both.

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Items marked with an asterisk are ones I don’t currently have and would need to make or buy. I have a lot of black work attire already, but going forward I want to avoid adding any more black to my wardrobe, since I find it very harsh with my skin tone and would prefer navy, brown, or grey. Cardigans in every color of my personal rainbow will be a key addition since I’m so often cold, and I’m optimistic that I can knit them all myself. I’ve combined items wherever I’m not picky about cut or color, such as t-shirts and skirts.

For the late spring/early summer, I’ve prioritized about a half dozen based on fabrics and patterns I already have. Instead of queuing them in a particular order, I’ll let myself pick my next project from that pool as the mood strikes. When I’ve gotten through those projects, I’ll go back to the original list, add or subtract garments based on changing needs or tastes, and pick another half dozen to work through. Groundbreaking stuff, huh?

Want to see the fabrics?

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From left to right, the fabrics and their intended projects are:

  • Nicole Miller Ditsey Eden in Black – Faux wrap dress – Simplicity 1653 (View B)
  • Sew Classic Rayon Spandex Knit in Potent Purple (I think) – Empire-waisted surplice dress – McCall’s 7116 (View D)
  • Lightweight Cotton Polyester Jersey in Navy with Skinny Red Stripes – Relaxed t-shirt and/or tank dress
  • 100% Cotton Interlock in Kelly Green – Blazer – Simplicity 1421 or Simplicity 2446 (Fingers crossed I have enough fabric for this, since I bought it with a completely different project in mind)
  • Stretch Cotton Sateen in Blue Floral – Skirt or dress?
  • Stretch Cotton Sateen in Poppy Floral – Skirt or dress?
  • Stretch Cotton Sateen in Blue-Purple Floral – Skirt – Butterick B4686 (View A) (To show off the border print)
  • Featherwale Cotton Corduroy in Navy – Skirt

I wish I could link to more of the fabrics, but with the exception of the first two, they came from Hancock Fabric’s going-out-of-business sale. I also wish I had more specific patterns nailed down for the skirts/dresses, but I keep waffling. Pencil skirt? Flared skirt? Sheath dress AKA bodice with pencil skirt? Fit-and-flare dress AKA bodice with flared skirt? If I thought I would actually wear crop tops (and could get away with it at work—we’re not that casual) then I could have it all. Instead, it is decisions, decisions. But! they’re decisions I’m looking forward to making instead of dancing around with a faint sense of anxiety. I’m excited to adding the finished garments to my wardrobe, which is definitely a step in the right direction. Finally.

Revisiting Wardrobe Architect, Part 2: Colors and Patterns

When I looked at colors and prints the first time around, I understood the value in narrowing things down to a “manageable” number, and several more experienced capsule creators recommended choosing palettes based on the seasons. Seemed reasonable enough, so that’s what I did. But I had a rather difficult time narrowing things down, and some of my decisions ended up being driven more by a desire to create a balanced, restrained palette than by what I was likely to wear, and trying to plan actual pieces based on this less-than-ideal palette required a degree of mental acrobatics that’s laughable in hindsight.

This time around, I didn’t restrict myself to planning for the upcoming season alone, which only makes sense when I think about how I tend to drag out individual projects. (Staying on top of sewing for the seasons is something that I can only dream about right now.) Instead, I just gathered all of my favorite colors to wear in one place:

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I’m sure I’ll continue to favor the darker, jewel-like tones in autumn and winter and the lighter, brighter tones in spring and summer, but seeing them all together will remind me of how things fit together, and maybe encourage me to consider less common color combinations (for me, at least) and seasonal switch-ups.

Even with such a large palette, I don’t intend to limit myself strictly to these colors, but I suspect that most purchases will easily include at least one of them. I’m also prepared to continue refining it as time goes on. I’ve already added purple back to the mix, because even though I have a hard time pairing it with other colors, I just can’t quit it. (I know that it naturally allies with yellow, but that gives me uncomfortable flashbacks to my high school’s and university’s spirit days—no thank you.) I’m also skeptical about how much lime green and powder blue I’ll actually end up with, but only time will tell.

Prints didn’t change much, but it was fun to put them all together in a fun little swatch:

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Stripes, dots/spots, checks/ginghams/tartans, and large-scale florals were all clear recurring themes in my inspiration images. I especially like the unexpected pattern mixing that can happen, like a flowered skirt with a striped t-shirt. While I could certainly see myself picking up the occasional abstract, geometric, or even animal print, I think these will be my go-tos.

With inspiration, color, and pattern now more closely aligned, I feel much more confident that I can put together a plan and start to build a wardrobe. With any luck, some real live sewing and knitting might start happening around here again!

Revisiting Wardrobe Architect, Part 1: Inspiration and Silhouettes

In March and April of last year, I examined how the clothes I like (and don’t) make me feel, what clothing shapes I gravitate toward, and what combinations of shapes are most comfortable and “me.” While I felt like I did a pretty good job of responding to the prompts, answering honestly, and collecting inspiration that actually resonated with me, in hindsight I see that somewhere along the way there was a disconnect between the style that I aspire to and the style represented by my capsule selections. My proposed capsule was too bright, with too many repeated colors and not enough pattern or texture to break it up. It felt too casual, instead of channeling the sleek put-togetherness that my inspiration images embodied.

At the time it was easy to overlook (and later shrug off) these shortcomings on the grounds that it was more an exercise than a concrete plan—that I was challenging myself to venture outside my style rut, not committing to making those precise pieces. While it’s true that I wasn’t locked into sewing what I’d sketched out, having a guide that was more puzzle than passion meant I didn’t have much more direction on actual garments than I’d started out with. As a result, I made a few questionable fabric purchases, added more patterns to my collection, and continued to waffle between potential projects because I wasn’t particularly excited to sew the things I’d laid out for myself and there was a lingering division between the clothes I wanted to make and the supplies I had to make them.

Now, a year later, it feels like it’s time to step back, reconsider, and figure out where I went off track so that I can create a sewing queue and wish list that I’m genuinely motivated to tackle.

To kick things off, I revisited my inspirational collage. Since we’re already well into spring, I removed the more autumnal and wintry photos and replaced them with warmer-weather pictures; I may bring the old ones back in a separate collage when it comes time to make fall/winter sewing plans. I also culled photos where the silhouette didn’t seem like 100% my style or the colors weren’t my favorites. That’s not to say I’d never sew or wear anything like them, but I wanted my collage to showcase only outfits that I would wear pretty much as-is—distilling all of the available inspiration to a style concentrate, if you will.

The result looks like this:

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I had the hardest time choosing dresses, no doubt because I wear them so infrequently. I don’t dislike dresses, but in the spring it’s often chilly enough in the mornings for tights but hot enough in the afternoon to make them oppressive, and in the summer there’s the constant tension between sweltering temperatures outside and frosty air conditioning inside. Suffice to say that always-cold me usually plays it safe by wearing pants. But I’d like to change that, because rotating in the occasional dress makes me feel a little more feminine and, ironically, like I made an effort, even though they’re usually less effort to style than a pair of pants.

Speaking of pants, let’s talk about those palazzo pants. They represent the biggest gap between the image shown and the finished items I’m looking for, mostly because it can be so hard to find a specific, illustrative image online when you already have the perfect vision in your head. But when I was a kid, I had a pair of rayon challis trousers in sage green with tiny white flowers to wear to a semi-formal summer event outside. They had wide, straight legs and a narrow elastic waistband, and the material and drape of the fabric made them wonderfully comfortable in the heat and humidity of high summer in Virginia. I wore them with a sleeveless white button-down shirt that knotted at the front waist and a pair of white sandals. I remember feeling very glamorous in this outfit, and that’s a feeling I’d like to recapture. Plus, matched with the right top and shoes, I think it can work equally well for work or play.

In terms of silhouettes, I think these images capture my preferred looks exceptionally well; they represent not only my my favorite colors and moods, but also the specific combinations I’m drawn to. They also neatly illustrate one of the principles of fashion that I picked up from (of all places) a dressing room ad, and have since found works very well for me: pair a loose top with a fitted bottom and a fitted top with a loose bottom for instant visual interest. (Not everything fits this mold, nor does it need to for me. But if one of my outfits is feeling off, it can sometimes be remedied by swapping out one piece to create this appealing contrast.)

If I had to sum up my silhouettes, then, they would be:

  • Skinny trousers with a draped blouse (blazer optional)
  • Skinny jeans with a relaxed tee or tank top
  • Flared skirt with fitted t-shirt and cardigan
  • Flared dress with cardigan
  • Wide-legged pants with a fitted tank top or slim-cut blouse

When it comes to tucked versus untucked shirts, I generally favor untucked. The exception is probably tucking a t-shirt into a skirt or palazzo pants; for those instances, I’m thinking I may pick up the Closet Case Patterns Nettie Bodysuit. For shoes, I tend to wear heels to work and to go out to restaurants or movies, and stick to flats for casual Fridays and errands. I love the look of skinnies with heels—they make me feel taller and feel inexplicably chic—so I’ve been wearing that combination more often lately. I’m still on the hunt for a pair of flat sandals that aren’t unbearable to walk around in all day when I want to look cute during a weekend excursion, and I’d love to save my running sneakers for the gym and get a pair of cute, casual sneakers for casual days when it’s too cool, wet, or walking-intensive for sandals. Accessories are a moving target, but statement jewelry and smaller, colorful handbags are on my list, and I’m in dire need of an attractive pair of sunglasses.

My first inspiration collage brought a sense of relief that maybe I had a burgeoning sense of style after all. This one brings a spark of real excitement, because I can actually see myself making pieces to create outfits like these, and I already can’t wait to wear them and show them off. That’s how I want to feel about my handmade wardrobe.

Have you ever gone back to an inspiration board or a sewing/knitting/design plan to refine it? Did it change a little or a lot? What effect did this have on your craft?

FO: Cary Depot

While I’m continuing to make slow progress on the striped sweater I started on New Year’s Eve, the fingering weight yarn and the frequent pauses to change colors mean that even if I knit for an hour or two at a time it doesn’t feel like I’m gaining much ground. I’m trying to keep pace with Amy Herzog’s Deep Winter Knit-A-Long (note to self: actually join the KAL thread on Ravelry instead of just lurking), which means that I have until the end of March to finish up. In the meantime, I desperately needed a little quick gratification so as not to completely stall out, so I turned to my Ravelry favorites and my little pile of leftover yarn. And wouldn’t you know, I managed a hat out of it!

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The pattern, Glenna C’s Union Station Beret, has been in my favorites for ages, along with both of her Urban Collection bundles and a handful of standalone patterns. Glenna’s penchant for cables comes through in many of her designs, and when you’re looking to increase your cache of warm winter hats you can’t go wrong with squooshy wool cables. The yarn I used is the remnant from my Courant sweater. I can’t decide if I’ll wear the two together or not—as much as I like matching, that seems like it would be a bit much.

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My version ended up a beanie rather than a beret by accident: I cast on with the correct size needle, but when I went up two needle sizes, I referred to the US size rather than the metric size. The 0.5 mm difference combined with a lighter-than-called-for yarn and a firm gauge resulted in a hat with no extra room for slouch.

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I was a bit bummed at first, and I considered re-knitting it since I still had yarn left. But I ultimately decided that I wanted a hat more than I wanted a beret specifically, and ripping out the entire thing sort of defeated the purpose of an easy, motivation-boosting project anyway. Wearing it out proved that I made the right choice, and I’m glad to have another hat in rotation for the remaining cold days of winter.

In the spirit of playing around with pattern names, I’ve dubbed this Cary Depot after the train station in our town. We can hear the trains trundling along and sounding their horns from our house. I know some people dislike the idea of living anywhere they can hear traffic noise, but I’ve always lived near transportation hubs—a commercial airport for my childhood home, and train tracks for both my college and first post-college apartments—so I find it comfortingly familiar.

Plus, who can resist an opportunity to play around with a bronze conductor statue?

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Project: Cary Depot
Pattern: Union Station Beret
Yarn: Tanis Fiber Arts Yellow Label DK in Velvet

FO: Turbo

Last finished project of the year!

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In the beginning of November, smack dab in the final rush of packing to move from our apartment to our new house, and just days before the wedding of longtime family friend, Justin had to take a work trip to Bainbridge Island, Washington. Since neither of us had ever been, I tried to find a way to go with him, but it just wasn’t in the cards. I consoled myself with the thought that there would be other opportunities, and that with his packed schedule there probably wouldn’t have been much time for sightseeing anyway.

Or so I thought. My intrepid husband managed to squeeze out an hour or so of free time one evening, and rather than trotting off to the nearest tourist destination he made a beeline to the nearest yarn store, Churchmouse Yarns & Teas, instead. He picked out the store’s Autumn Blend black tea and two skeins of Insouciant Fibers’ alpaca/CVM as souvenirs/early birthday gifts.

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Apparently he convinced another employee from his company who was in town for the same work reasons to tag along, and he navigated Churchmouse so deftly that his compatriot assumed he was a native.

I know, right?! My non-knitting husband not only brings me back exotic yarn from his travels, but has spent enough time hanging around in yarn shops that he can fool others into thinking he’s one of us yarn-people. (Is there such a thing as an honorary yarn-person? I think he must be one.) I’m basically the luckiest woman alive. There was obviously a mix-up in the cosmic bookkeeping, but I’m not about to open my mouth and get a taste of my just deserts! 😛

Anyway, I landed on Cailyn Meyer’s Cruiser, a free mitten pattern that I’d favorited ages ago. (For the record, the fact that the designer’s name is eerily similar to mine had nothing to with it.) I’d planned to pair a different yarn with it, but decided that the 100% alpaca I had at the time might not be sturdy enough for mittens. But this alpaca/wool blend? Perfect.

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I knit the first mitten in a size small, but even for my tiny hands and short fingers it was too small. The medium turned out just right. I didn’t bother to count rounds on the thumbs, so one thumb is longer than the other. I’d meant to rip it out and fix it before I wove in the ends, but then I forgot. It’s only really noticeable when you hold both mittens up next to each other and it doesn’t affect fit, so I’m not worried about it.

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The yarn was a pleasure to work with. It marries the best qualities of wool and alpaca into a wonderfully springy blend with just the right amount of fuzziness. The cables show up clearly but with a bit of a rustic halo about them. I did encounter regular small bits of vegetable matter, but I honestly found this more charming than annoying. It reminds you that this yarn came from real, live sheep–Caitlin, Artie, and Cerrie, to be exact. (Yep, I also share a name with one of the yarn’s wooly providers. Clearly it was meant to be.)

The cable is identical on both mittens, making it intuitive to work and memorize. To me it resembles to the turbo symbol in video games, which gives your go kart/sprite/bandicoot avatar a short burst of speed. This pattern is definitely a speedy knit: I think you could knock it out in a week of evenings or a dedicated weekend. The only reason it took me as long as it did was because I stalled on finishing the thumbs and weaving in the ends in the midst of holiday preparations.

Dashing off a quick and satisfying project right at the end of this year was just the boost I needed to head into the new year with a renewed desire to KNIT ALL THE THINGS. One of my goals for 2016 is to be a more productive knitter, rather than allowing long lapses between projects. Tune in tomorrow for a quick retrospective on 2015 and more goals for 2016!

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